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<p><img width="1400" height="1050" src="https://www.musictech.net/wp-content/uploads/2020/11/Assassins-creed@1400x1050_0005_ACV_screen_fwd_World_Vista_Male_200712_945pm_CEST.jpg" class="attachment-full size-full wp-post-image" alt="Assassins Creed Valhalla" loading="lazy" srcset="https://www.musictech.net/wp-content/uploads/2020/11/Assassins-creed@1400x1050_0005_ACV_screen_fwd_World_Vista_Male_200712_945pm_CEST.jpg 1400w, https://www.musictech.net/wp-content/upl...00x300.jpg 400w, https://www.musictech.net/wp-content/upl...00x600.jpg 800w, https://www.musictech.net/wp-content/upl...96x522.jpg 696w, https://www.musictech.net/wp-content/upl...2x1044.jpg 1392w, https://www.musictech.net/wp-content/upl...68x801.jpg 1068w" sizes="(max-width: 1400px) 100vw, 1400px" /></p>
<p>Sarah Schachner and Jesper Kyd on how they mixed modern techniques with ancient instruments for Assassin’s Creed Valhalla</p>
<p>The post <a rel="nofollow" href="https://www.musictech.net/features/scoring-assassins-creed-valhalla-history-in-the-making/">History in the making: scoring Assassins’ Creed Valhalla</a> appeared first on <a rel="nofollow" href="https://www.musictech.net">MusicTech</a>.</p>
https://www.musictech.net/features/scori...the-making
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