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<p><img width="2560" height="1625" src="https://www.musictech.net/wp-content/uploads/2021/01/opsix-slant-R-HERO@2560x1625.jpg" class="attachment-full size-full wp-post-image" alt="Korg Opsix" loading="lazy" srcset="https://www.musictech.net/wp-content/uploads/2021/01/opsix-slant-R-HERO@2560x1625.jpg 2560w, https://www.musictech.net/wp-content/upl...00x254.jpg 400w, https://www.musictech.net/wp-content/upl...00x508.jpg 800w, https://www.musictech.net/wp-content/upl...96x442.jpg 696w, https://www.musictech.net/wp-content/upl...92x884.jpg 1392w, https://www.musictech.net/wp-content/upl...68x678.jpg 1068w" sizes="(max-width: 2560px) 100vw, 2560px" /></p>
<p>For all its appeal, Yamaha’s DX7 proved a programming nightmare for many. Can Korg repurpose FM synthesis and make it accessible for a new generation?</p>
<p>The post <a rel="nofollow" href="https://www.musictech.net/reviews/hardware-instruments/the-big-review-korg-opsix/">The Big Review: Korg Opsix</a> appeared first on <a rel="nofollow" href="https://www.musictech.net">MusicTech</a>.</p>
https://www.musictech.net/reviews/hardwa...korg-opsix
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