| 0 | 0 | ||
<p><img width="2560" height="1625" src="https://www.musictech.net/wp-content/uploads/2021/07/Hero-Natalie-Holt@2560x1625.jpg" class="attachment-full size-full wp-post-image" alt="Natalie Holt" loading="lazy" srcset="https://www.musictech.net/wp-content/uploads/2021/07/Hero-Natalie-Holt@2560x1625.jpg 2560w, https://www.musictech.net/wp-content/upl...00x254.jpg 400w, https://www.musictech.net/wp-content/upl...00x508.jpg 800w, https://www.musictech.net/wp-content/upl...96x442.jpg 696w, https://www.musictech.net/wp-content/upl...92x884.jpg 1392w, https://www.musictech.net/wp-content/upl...68x678.jpg 1068w" sizes="(max-width: 2560px) 100vw, 2560px" /></p>
<p>The UK-based composer and violinist discusses the weird and wonderful sounds of Loki, her career composing for the screen, and the perils of managing an orchestra over Zoom.</p>
<p>The post <a rel="nofollow" href="https://www.musictech.net/features/interviews/theremins-remote-orchestras-natalie-holt-marvel-loki-score/">Fiddles, theremins and remote orchestras: Natalie Holt on her score for Marvel’s Loki</a> appeared first on <a rel="nofollow" href="https://www.musictech.net">MusicTech</a>.</p>
https://www.musictech.net/features/inter...loki-score
![[-]](http://www.n01ze.com/synthwizards/Forum/images/Carbon/collapse.png "[-]")
