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<p><img width="2560" height="1625" src="https://www.musictech.net/wp-content/uploads/2021/10/yeule-HERO@2560x1625.jpg" class="attachment-full size-full wp-post-image" alt="yeule" loading="lazy" srcset="https://www.musictech.net/wp-content/uploads/2021/10/yeule-HERO@2560x1625.jpg 2560w, https://www.musictech.net/wp-content/upl...00x254.jpg 400w, https://www.musictech.net/wp-content/upl...00x508.jpg 800w, https://www.musictech.net/wp-content/upl...96x442.jpg 696w, https://www.musictech.net/wp-content/upl...92x884.jpg 1392w, https://www.musictech.net/wp-content/upl...68x678.jpg 1068w" sizes="(max-width: 2560px) 100vw, 2560px" /></p>
<p>Virtual (in)sanity, cyborgian futures, and dark pop incantations with the London-based artist and producer. </p>
<p>The post <a rel="nofollow" href="https://www.musictech.net/features/interviews/yeule-cover-interview-2021-glitch-princess/">yeule: “Pop music is transmutable. Avant-garde carves and shapes how pop will evolve”</a> appeared first on <a rel="nofollow" href="https://www.musictech.net">MusicTech</a>.</p>
https://www.musictech.net/features/inter...h-princess