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<p><img width="2000" height="1500" src="https://musictech.com/wp-content/uploads/2022/01/BLEASS-Omega-HERO@2000x1500.jpg" class="attachment-full size-full wp-post-image" alt="BLEASS Omega" loading="lazy" srcset="https://musictech.com/wp-content/uploads/2022/01/BLEASS-Omega-HERO@2000x1500.jpg 2000w, https://musictech.com/wp-content/uploads...00x150.jpg 200w, https://musictech.com/wp-content/uploads...00x300.jpg 400w, https://musictech.com/wp-content/uploads...24x243.jpg 324w, https://musictech.com/wp-content/uploads...48x486.jpg 648w, https://musictech.com/wp-content/uploads...00x600.jpg 800w, https://musictech.com/wp-content/uploads...96x522.jpg 696w, https://musictech.com/wp-content/uploads...2x1044.jpg 1392w, https://musictech.com/wp-content/uploads...68x801.jpg 1068w" sizes="(max-width: 2000px) 100vw, 2000px" /></p>
<p>Convention has it that working with FM synths sits somewhere between difficult and impossible but, in true Gallic style, BLEASS have no interest in following convention.</p>
<p>The post <a rel="nofollow" href="https://musictech.com/reviews/plug-ins/bleass-omega-review/">BLEASS Omega review: FM synthesis isn’t supposed to be this easy</a> appeared first on <a rel="nofollow" href="https://musictech.com">MusicTech</a>.</p>
https://musictech.com/reviews/plug-ins/b...ega-review
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