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<p><img width="2000" height="1500" src="https://musictech.com/wp-content/uploads/2023/04/dot-major@2000x1500.jpg" class="attachment-full size-full wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://musictech.com/wp-content/uploads/2023/04/dot-major@2000x1500.jpg 2000w, https://musictech.com/wp-content/uploads...50x113.jpg 150w, https://musictech.com/wp-content/uploads...00x225.jpg 300w, https://musictech.com/wp-content/uploads...00x300.jpg 400w, https://musictech.com/wp-content/uploads...50x488.jpg 650w, https://musictech.com/wp-content/uploads...00x600.jpg 800w, https://musictech.com/wp-content/uploads...00x900.jpg 1200w, https://musictech.com/wp-content/uploads...0x1200.jpg 1600w" sizes="(max-width: 2000px) 100vw, 2000px" /></p>
<p>The producer, known for his work in London Grammar, spoke of his admiration for the Roland Jupiter 8 in an episode of Music Tech’s My Forever Studio podcast</p>
<p>The post <a rel="nofollow" href="https://musictech.com/news/gear/dot-major-my-forever-studio-podcast-jupiter-8-roland/">Dot Major explains the issues with using vintage synths in records</a> appeared first on <a rel="nofollow" href="https://musictech.com">MusicTech</a>.</p>
https://musictech.com/news/gear/dot-majo...r-8-roland