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<p><img width="2000" height="1500" src="https://musictech.com/wp-content/uploads/2024/02/AUDIENT-ORIA-HERO-CREDIT-SIMON-VINALL@2000x1500.jpg" class="attachment-full size-full wp-post-image" alt="Audient ORIA, photo by Simon Vinall" decoding="async" loading="lazy" srcset="https://musictech.com/wp-content/uploads/2024/02/AUDIENT-ORIA-HERO-CREDIT-SIMON-VINALL@2000x1500.jpg 2000w, https://musictech.com/wp-content/uploads...00x300.jpg 400w, https://musictech.com/wp-content/uploads...00x600.jpg 800w, https://musictech.com/wp-content/uploads...96x522.jpg 696w, https://musictech.com/wp-content/uploads...2x1044.jpg 1392w, https://musictech.com/wp-content/uploads...68x801.jpg 1068w" sizes="(max-width: 2000px) 100vw, 2000px" /></p>
<p>How Audient worked with a team of audio engineers to make Atmos accessible — and why immersive audio is here to stay</p>
<p>The post <a href="https://musictech.com/features/interviews/audient-oria-the-atmos-interface-that-engineers-have-been-waiting-for/">Audient’s ORIA is the Atmos interface that engineers have been waiting for</a> appeared first on <a href="https://musictech.com">MusicTech</a>.</p>
https://musictech.com/features/interview...aiting-for