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<p><img width="2000" height="1500" src="https://www.musictech.net/wp-content/uploads/2021/10/Herdis-Stefansdottir-HERO@2000x1500.jpg" class="attachment-full size-full wp-post-image" alt="Herdis Stefandottir" loading="lazy" srcset="https://www.musictech.net/wp-content/uploads/2021/10/Herdis-Stefansdottir-HERO@2000x1500.jpg 2000w, https://www.musictech.net/wp-content/upl...00x300.jpg 400w, https://www.musictech.net/wp-content/upl...00x600.jpg 800w, https://www.musictech.net/wp-content/upl...96x522.jpg 696w, https://www.musictech.net/wp-content/upl...2x1044.jpg 1392w, https://www.musictech.net/wp-content/upl...68x801.jpg 1068w" sizes="(max-width: 2000px) 100vw, 2000px" /></p>
<p>The Icelandic composer discusses the sound of society’s collapse, electromagnetic harps, and working on a majority female production.</p>
<p>The post <a rel="nofollow" href="https://www.musictech.net/features/interviews/herdis-stefansdottir-y-the-last-man-score-fx/">Scoring an apocalypse: Herdis Stefansdottir on her music for FX’s Y: The Last Man</a> appeared first on <a rel="nofollow" href="https://www.musictech.net">MusicTech</a>.</p>
https://www.musictech.net/features/inter...n-score-fx
![[-]](http://www.n01ze.com/synthwizards/Forum/images/Carbon/collapse.png "[-]")
