Monthly Archives: March 2018

Eye needed revisiting/skinning/reworking one of my “Ancient” sequencer projects recently. The way old glitchy clock method has been completely rebuilt. Multiple LFO’s have been added with Matrix routing for empowering “generating self sequencing” variance capabilities. LFO’s can be injected for … Continue reading →

created new IR Impulse Reverb Engine for easy/fast experimentation with convolution FX files

A cross-platform editor for the Lexicon LXP-5 effects processor written in Python. Getting Started To start the editor, run python main.py. Then select your midi interface and the midi channel of your LXP-5 in the lower left of the editor. … Continue reading →

Newest Evolution of SynthWizards GREIGN VSTi

It seems ironic that it took over six million years of evolution for man to do with technology what nature managed to do perfectly well with just a few large rocks! Reverberation is simply the result of sound bouncing back … Continue reading →

Utrecht, Netherlands Sound €90,404 pledged of €30,000 goal 117 backers Introduction The GR-1 is a hardware polyphonic granular synthesizer in a class of its own. The GR-1 is capable of creating textures, characteristic sounds, drones, soundscapes, pads etc. with the … Continue reading →

Eye made this midi utility project ages ago because needed specific Arpeggiator function/pattern…. works as VSTi insert…. Writes MIDI into sequencer from external controller

Revised/Rebuilt GREIGN Ganular Synthesis FX VST… for GREIGN STORM VSTi… Bank of  8 source waves that can be selected or random play all of them… at random file read positions on BPM sync or using static injector for random voltage … Continue reading →

My recent experiment for the past 3 days so…. did some brainstorming… plus R&D on granular synthesis mentally dissected “clouds” module circuit flowchart thus with much experimentation plus overcoming obstacles via trial & error method this is the result Eye … Continue reading →

The MMT-8 was the quintessential 80’s sequencer—they were everywhere back then. The best sequencer ever built for live performance, you could do song remixes on the fly live by muting each instrument track on or off while playing, as well … Continue reading →